Protesters carried handmade signs, chanted slogans, voiced concerns about mounting threats to democracy and billionaire-first politics, and — because it’s New Orleans — they blew bubbles.
Dancer Chipo Kandake along with New Orleans drumming legend Herlin Riley present a show on Saturday that tells the story of what we call American music, which, she says, started with the Black community.
In New Orleans, where incarceration touches nearly every block, jail population counts are much more than numbers – they represent families fractured, futures derailed, and communities under pressure.
Some of the loudest voices talking about problems that led to the jailbreak are the same ones who’ve supported underfunding and cuts to social services, education, and mental-health programs—drivers of crime and incarceration in the first place.
Anthony Hingle Jr. didn’t touch beads or feathers for 32 years. Now he’s back in town, continuing the work of his father, Flagboy Meathead, a legend among Black Masking Indians.
High winds on Mardi Gras Day truncated Rex’s route and kept Zulu from downtown New Orleans, taking a toll on business owners and on local school bands, which went unpaid for Zulu and other weather-affected parades. Then Rex announced that it would pay the bands booked for its parade, raising questions about the history of band payments from krewes – and why those payments matter.
Our reporters stayed on their beats, covering how Carnival affects the way New Orleans works - and doesn't work.
New Orleanians maintain certain traditions at Carnival parades. We say hello to strangers, tote wagons and folding chairs and blankets. But along the St. Charles parade route, we most often settle in areas with our people.
Best known for their merkins – pubic wigs – the Bearded Oysters have now been a symbol of feminist liberation for 20 years, within a few local parades, including Muses